Harmony Korine's back, and this time he's telling the story of a burnout with no regard for convention or legality, who's nonetheless a good bloke under it all. Wait. Korine's got a soft spot for those on the edge of society, or, at least, those on a specific bit of society's edge, revelling and rebelling. … Continue reading The Beach Bum
An astonishing visual trip, Monos is a queasy journey into the darkness of disorganisation and distrust. Alejandro Landes, writing and directing, embeds his camera into a group of eight teenagers, Colombian child soldiers in an unnamed insurgent organisation. They are stationed on a remote mountaintop, in an ancient, decaying bunker, leaking and rotting with moss. … Continue reading Monos
Quentin Tarantino is indulgent. It's nothing new. What is more surprising is that his indulgences in OUATIH are a mixed bag, thematically slapdash despite their occasional brilliance. This is an atypical film from QT. Rather than an extended and multifaceted plot threading itself over time, we see the meandering stories of Rick Dalton (Leonardo DiCaprio), … Continue reading Once Upon a Time… In Hollywood
If Endgame was an enormous banquet of a film, a gluttonous self-indulgence just about earned by a franchise that is increasingly dominating the planet, Marvel seems to have positioned Far From Home as a wafer thin mint to finish the lot off. But so soon after the release (and obviously-motivated re-release) of the generation-spanning Avengers … Continue reading Spiderman: Far From Home
With all the inevitability of a purple half-giant snapping his fingers, the Avengers saga rumbles to a close, the world's box offices crumbling before it.
Are DC finally beginning to figure it out? If they can't have the world-beating, all-conquering cinematic mega franchise that Marvel have built, could they at least have a few films that aren't absolutely hideous? The closest conclusion available is now a hard "maybe". Zachary Levy is the titular Shazam, the title itself referring to the … Continue reading Shazam!
With Avengers Infinity War and Endgame undeniable in the force of their cultural dominance, the risk of alternate Marvel entries falling into the cracks is real. Ant-Man and The Wasp was a casualty last year, and Captain Marvel is another unfortunate. Sandwiched between titanic film releases, the culminations of years of setup and creeping development, … Continue reading Captain Marvel
Lacking some of the cynicism of other franchise-launchers, Mortal Engines is nonetheless an limited adaptation of the first of Philip Reeve's excellent YA novels. Now looking certain for commercial doom, it's a creditable maiden voyage in intentions but not execution. Reeve's setting is the film's primary strength, a nuclear post-apocalypse in which surviving cities have been … Continue reading Mortal Engines
Creed was a small-scale miracle of a film, perfectly cast and with the right director, finding all of its component parts at the apt time. Its newly-released sequel is, sadly, the film the first threatened to be, inoffensive and totally unessential. Minus the now-stratospherically successful Ryan Coogler in the director's chair, Creed II does reunite the principal cast … Continue reading Creed II
With a baseline of eccentricity and challenging motifs, Sorry to Bother You blazes a trail into brilliant, unpredictable territory. It is a flaming-hot debut for polymath Boots Riley. Lakeith Stanfield, so excellent in Short Term 12 in 2013 before a smashing reemergence on Atlanta and in Get Out, is Cassius Green. Cash to his friends, he's a low-skilled but … Continue reading Sorry to Bother You